Posts Tagged With: desert heat

Out Now – Native Tongue – M/M Erotic Romance by Lucy Felthouse (@cw1985) #erotica #romance #military #interracial

nativetongueBlurb:

They may be back on British soil, but the battle isn’t over.

When Captain Hugh Wilkes fell for his Afghan interpreter, Rustam Balkhi, he always knew things would never be easy. After months of complete secrecy, their return to England should have spelt an end to the sneaking around and the insane risks. But it seems there are many obstacles for them to overcome before they can truly be happy together. Can they get past those obstacles, or is this one battle too many for their fledgling relationship?

Author’s note: Although this story does work as a standalone tale, it’s recommended that you read the first instalment of the characters’ journey first—Desert Heat, which is available from all good retailers.

Buy links: http://lucyfelthouse.co.uk/published-works/native-tongue/

Goodreads: https://www.goodreads.com/book/show/25462496-native-tongue

**For those of you that haven’t yet read Desert Heat either, there’s a great value double pack containing both books available exclusively on Amazon (from 14th May), which is available for lending, and for Kindle Unlimited members: http://lucyfelthouse.co.uk/published-works/desert-heat-native-tongue/ **

teaser_nativetongue

*****

Excerpt:

Captain Hugh Wilkes drummed enthusiastically on the steering wheel of his car as he drove it up the M3 towards London. He sung loudly and tunelessly along to the song on the radio, too, but it didn’t matter. No one could hear him.

He’d surprised himself by being so chilled out about the volume of Friday evening traffic. He wasn’t the most patient of people, so the slow progress should probably have been increasing his blood pressure, if not leading to full on road rage. But, although he’d have loved to be actually achieving the speed limit, not bumbling along at a mere fifty miles per hour, Wilkes was just glad the traffic was moving at all. Britain’s roads, the motorways in particular, soon came to a standstill if there was so much as a tiny bump between two vehicles. So any progress was better than none.

Besides, what could he do about it? His only other options to get to London from his base in Wiltshire were a train, or stealing a plane, helicopter or tank. The latter might just cause a little bit of bother, and mean the end of his army career, not to mention criminal charges. The former meant cramming in amongst sweaty, disgruntled commuters. If that wasn’t bad enough, he’d be charged an extortionate amount to do so, probably wouldn’t even get a seat, and would likely be subjected to delays.

At least driving took him from door to door, with plenty of personal space. And if there were delays, well, he could sit them out from the comfort of his own vehicle, with the climate control set to the perfect temperature, and the radio blasting some of his favourite tunes.

The next song was even better, and Wilkes’ tuneless wailing became more enthusiastic, as did the drumming on the steering wheel. He was in one hell of a good mood, and if he was truthful with himself, he knew it wasn’t just the fact the M3 was moving at a nice pace. It wasn’t the Friday feeling, either. Sure, both of those things were contributing to his happiness, but the main reason he was grinning like a buffoon was the thought of what awaited him in the capital. Or rather, who.

Rustam Balkhi. His gorgeous Afghan boyfriend, whom he’d met out in Afghanistan while they were working together for the British Army. Now, with their tour of duty over and the forces’ presence pulled out of the country, the two men had returned to England. Wilkes had gone back to his regular army life in Bulford Camp, near Salisbury. Balkhi was in London, where he’d recommenced the medical training he’d postponed to become an interpreter for the Brits.

The past few weeks had been somewhat of a whirlwind. Wilkes’ return to the UK had been straightforward, but Balkhi had had to jump through some hoops in order to get back onto his medical course. He’d been willing to start from scratch, but it’d seemed like an awful waste of time, so Wilkes had spoken to his superiors, who’d explained to the university what important work Balkhi had been doing. Fortunately, they’d been persuaded of Balkhi’s commitment and character, and allowed him to pick up where he’d left off. That settled, Balkhi had to pack up, travel back to the UK, find somewhere to live, move in… and all before the start of the next academic term.

Wilkes had felt terrible. His return had taken place a few weeks before Balkhi’s, so although he’d been granted some leave for R&R, he hadn’t been able to either spend it with Balkhi, or to use it help him with his relocation. By the time Balkhi had set foot on British soil, Wilkes was back to work. And, given nobody knew about the two of them, or even that Wilkes was gay, he couldn’t exactly ask for more leave in order to help his boyfriend move into his new flat.

Life had conspired against them ever since, so this was the first opportunity they’d had to see each other since saying goodbye in Afghanistan all those weeks ago. They’d communicated via email, text message and phone calls, but it just wasn’t the same. Especially since they’d gone from seeing each other every single day for the best part of six months to not setting eyes on each other for weeks on end.

Wilkes had struggled terribly in the interim. Life had been tough enough while they were still out in the desert. After weeks and weeks of trying desperately to ignore their growing attraction, they’d finally given in to it. It had been stupid and risky, but, having quickly realised there was more to their attraction than the physical, they’d decided to carry on their relationship in secret while they were in Afghanistan, see how it went, and figure things out once Wilkes’ tour of duty was over. Balkhi had always intended to return to the UK for his studies, so they would, at least, be living in the same country.

*****

Author Bio:

Lucy Felthouse is a very busy woman! She writes erotica and erotic romance in a variety of subgenres and pairings, and has over 100 publications to her name, with many more in the pipeline. These include several editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic Romance 2014. Another string to her bow is editing, and she has edited and co-edited a number of anthologies, and also edits for a small publishing house. She owns Erotica For All, is book editor for Cliterati, and is one eighth of The Brit Babes. Find out more at http://www.lucyfelthouse.co.uk. Join her on Facebook and Twitter, and subscribe to her newsletter at: http://eepurl.com/gMQb9

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Blurbtastic! by Lucy Felthouse (@cw1985)

This post originally appeared at the Erotica Readers & Writers Association blog.

Following on from my little rant about the dreaded sucknopsis, I thought I’d better do something more useful this time. And since, as you probably gathered if you read the previous post, synopses (??) are not my strong point, my natural progression was onto blurbs. Something I can do.

Yes, I am one of these rare writer-types that actually likes writing blurbs. Crazy, eh? I’ve even had folk pay me to write or re-write blurbs for them. I suspect my blurb writing skills come from the marketing side of my brain (my creative and marketing sides seem to live in a lovely harmony up in the old grey matter). When I graduated, I ended up in a PR & Marketing role and was immediately pointed in the direction of press releases, sales sheets and advertising copy, and told to “go create!”

Okay, those weren’t the exact words they used, but the bottom line is I was thrown in at the deep end. Fortunately, I discovered I did have an aptitude for writing copy that would entice consumers and retailers to buy products, and I think this is something I’ve continued to improve on over time. So now, when it comes to writing a blurb, I find it pretty easy. It does require a certain amount of distancing yourself from your work, though. It’s simple to think to yourself, oh well, this book is about X, Y and Z, if I just write that, people will get it, and buy the book.

But the thing to remember is that blurbs are meant to entice, to tempt, to intrigue. Not just tell people what the book is about (which is the difference between a synopsis and a blurb). You want to hint what the book is about (while giving enough information so that they know what the genre is, and if it’s their kind of read), but without giving away any major plot points or twists. Try and pick out the most important themes of your book and find a way to include them in the blurb. If possible, ask a question, as many people’s brains will be wired to want to know the answer to that question. And, of course, the way for them to get the answer… buy and read the book!

This may seem obvious, too, but mention your characters – or the main ones, anyway. Blurbs are fairly short and to the point, so you can’t give any great detail, but if you can present potential readers with enough information about your characters and your plot to let them know whether it sounds like a book they’d be interested in, with characters they’d like to read about, then you’re onto a winner.

Desert HeatHere’s one of my own blurbs as an example. This is from Desert Heat.

Their love is forbidden by rules, religion and risk. Yet still they can’t resist. [a lead in. Not necessary, but the publication the story was originally written for wanted a short, enticing strap line. This is what I came up with, and I liked it so much I kept it. It immediately tells you that it’s a love story, then goes on to indicate forbidden love, and risk. But then it teases – they can’t resist. So you know pretty much straight away that this is no straightforward love affair, and not a simple story.]

Captain Hugh Wilkes is on his last tour of duty in Afghanistan. [Now you know the name of the lead character, and that he’s military. You also have the setting of the story, not always necessary, but when it’s as interesting as a war zone, it’s probably worth a mention!] The British Army is withdrawing, and Wilkes expects his posting to be event-free [Now you know the character is a Brit, and that he’s expecting no drama on his tour.]. That is, until he meets his Afghan interpreter, Rustam Balkhi, who awakens desires in Wilkes that he’d almost forgotten about, and that won’t be ignored. [Now you know that the potential love interest is an Afghan national, which goes some way to explain the part about their love being forbidden by rules, religion and risk. The fact that the story is M/M is now fairly obvious from the names, but the cover has two men on it – so there should be no confusion there!]

And there you have it – hopefully my notes in brackets all made sense, and pulled out what I believe are important points for a blurb. Basically, keep it short and to the point, don’t give too much away, distance yourself from the story enough that you can see what will appeal to potential readers, and remember, you’re selling your story to someone, making them think “Ooh! That sounds interesting. Click.

If you can, get someone you know and trust to be honest with you to read the blurb. Even better if they haven’t read the story already – if they then want to read the story based on your blurb, then you know you’ve done a good job.

As with most things, writing blurbs takes practice. All publishers are different – some will literally take what you’ve written and use it, others will work with you to improve it, and others still will write something themselves. But the person that knows your story the best is you, so you’ve got the knowledge, the background, to know what will excite readers and pull them in. So it’s definitely worth spending time on your blurb, especially if it’ll be used word for word. You only have a short amount of time to make them want to click that buy button, so don’t waste the opportunity!

I hope you find this useful. Of course, things like this vary from person to person, but you may find this works for you.

Happy Blurbing!
Lucy

*****

Author Bio:

Lucy Felthouse is a very busy woman! She writes erotica and erotic romance in a variety of subgenres and pairings, and has over 100 publications to her name, with many more in the pipeline. These include several editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic Romance 2014. Another string to her bow is editing, and she has edited and co-edited a number of anthologies, and also edits for a small publishing house. She owns Erotica For All, is book editor for Cliterati, and is one eighth of The Brit Babes. Find out more at http://www.lucyfelthouse.co.uk. Join her on Facebook and Twitter, and subscribe to her newsletter at: http://eepurl.com/gMQb9

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